title
Skye Fitzgerald: Hunger, War, and Human Suffering | Lex Fridman Podcast #278
description
Skye Fitzgerald is a two-time Oscar-nominated documentary filmmaker, his films include Hunger Ward, Lifeboat, and 50 Feet from Syria. Please support this podcast by checking out our sponsors:
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EPISODE LINKS:
Skye's Twitter: https://twitter.com/spin_film
Skye's Instagram: https://instagram.com/spin_film
Hunger Ward (movie): https://hungerward.org
Lifeboat (movie): https://lifeboatdocumentary.com
50 Feet from Syria (movie): https://50feetfromsyria.com
PODCAST INFO:
Podcast website: https://lexfridman.com/podcast
Apple Podcasts: https://apple.co/2lwqZIr
Spotify: https://spoti.fi/2nEwCF8
RSS: https://lexfridman.com/feed/podcast/
Full episodes playlist: https://www.youtube.com/playlist?list=PLrAXtmErZgOdP_8GztsuKi9nrraNbKKp4
Clips playlist: https://www.youtube.com/playlist?list=PLrAXtmErZgOeciFP3CBCIEElOJeitOr41
OUTLINE:
0:00 - Introduction
1:00 - World hunger
7:03 - Hunger Ward
29:30 - Language
34:41 - Famine
45:25 - Authoritarianism
51:53 - Storytelling
1:05:27 - Access
1:09:50 - Trust
1:13:32 - Film equipment
1:18:18 - Editing
1:24:47 - Filmmaking
1:37:46 - Favorite Films
1:48:54 - Lifeboat
1:56:19 - Breaking rules
1:59:14 - Fear
2:02:53 - 50 feet from Syria
2:07:50 - Money and distribution
2:15:28 - Advice for young people
2:18:33 - Books
2:20:27 - Darkest moments
2:24:58 - Meaning of life
2:26:56 - Mortality
SOCIAL:
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- Support on Patreon: https://www.patreon.com/lexfridman
detail
{'title': 'Skye Fitzgerald: Hunger, War, and Human Suffering | Lex Fridman Podcast #278', 'heatmap': [], 'summary': "Skye fitzgerald discusses the moral challenges faced by filmmakers in rescue operations, highlighting the impact of war-induced hunger with statistics revealing 811 million people hungry and 45 million on the brink of famine. the discussion also covers the critical need to address hunger and homelessness in yemen, the documentary 'hunger ward', a compassionate 10-year-old in the midst of famine, and the filmmaker's belief in the camera as a tool for change.", 'chapters': [{'end': 192.667, 'segs': [{'end': 29.004, 'src': 'embed', 'start': 0.049, 'weight': 4, 'content': [{'end': 7.733, 'text': 'We would come up to these rafts and these boats that were in really dire shape,', 'start': 0.049, 'duration': 7.684}, {'end': 12.415, 'text': 'and people would be pushed off and people would jump off and people would fall into the water.', 'start': 7.733, 'duration': 4.682}, {'end': 17.238, 'text': "And, um, some of them couldn't swim.", 'start': 13.416, 'duration': 3.822}, {'end': 22.861, 'text': 'And so we found ourselves in this moment where we had a choice.', 'start': 18.799, 'duration': 4.062}, {'end': 29.004, 'text': 'We could film someone drown in front of us, or we could put our cameras down and pull them out of the water.', 'start': 23.061, 'duration': 5.943}], 'summary': 'Witnessed dire situations, people falling into water, had to choose between filming or saving them.', 'duration': 28.955, 'max_score': 0.049, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo49.jpg'}, {'end': 117.181, 'src': 'embed', 'start': 82.93, 'weight': 0, 'content': [{'end': 87.791, 'text': "It's deeply disturbing to me that, as a global community,", 'start': 82.93, 'duration': 4.861}, {'end': 97.373, 'text': "we've allowed this number of people to go hungry when the food to feed them exists and the resources to feed them exists.", 'start': 87.791, 'duration': 9.582}, {'end': 111.937, 'text': 'I think the thing that disturbs me most about those figures is that many of those who are starving today or going hungry today are the net result of war.', 'start': 97.393, 'duration': 14.544}, {'end': 117.181, 'text': 'and intentional acts by leaders to starve entire populations.', 'start': 112.797, 'duration': 4.384}], 'summary': 'Global hunger is a pressing issue, exacerbated by war and intentional acts, leaving many without food despite the availability of resources.', 'duration': 34.251, 'max_score': 82.93, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo82930.jpg'}, {'end': 164.593, 'src': 'embed', 'start': 140.816, 'weight': 5, 'content': [{'end': 149.722, 'text': "That's been reiterated multiple times over the years in international humanitarian law, including in 2018 because of the Saudi blockade over Yemen.", 'start': 140.816, 'duration': 8.906}, {'end': 159.829, 'text': 'And yet, to this day, starvation as a weapon of war continues to be used in Ethiopia, obviously in Ukraine right now, and in Yemen,', 'start': 150.603, 'duration': 9.226}, {'end': 161.09, 'text': 'with the blockade over the country.', 'start': 159.829, 'duration': 1.261}, {'end': 164.593, 'text': 'And that disgusts me, that the law is in place,', 'start': 161.15, 'duration': 3.443}], 'summary': 'Starvation as a weapon of war continues in ethiopia, ukraine, and yemen, despite international law.', 'duration': 23.777, 'max_score': 140.816, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo140816.jpg'}], 'start': 0.049, 'title': 'Filmmaking and starvation in war', 'summary': 'Delves into the moral challenges faced by filmmakers in rescue operations, and highlights the impact of war-induced hunger, with statistics revealing 811 million people hungry and 45 million on the brink of famine across 43 countries. it also sheds light on the persistent use of starvation as a weapon of war in countries like ethiopia, ukraine, and yemen, expressing dismay at the lack of enforcement by international bodies and nation states.', 'chapters': [{'end': 117.181, 'start': 0.049, 'title': 'Humanitarian crisis and filmmaking', 'summary': 'Discusses the moral dilemma faced by a filmmaker during rescue operations, the impact of war on hunger, and the disturbing statistics of 811 million people hungry and 45 million on the edge of famine across 43 countries.', 'duration': 117.132, 'highlights': ['Sky Fitzgerald faced a moral dilemma during rescue operations: film someone drown or put down the camera to save them.', '811 million people worldwide are hungry today, and 45 million people are on the edge of famine across 43 countries, with war being a major cause of starvation.', 'The impact of war on hunger is deeply disturbing as leaders intentionally starve entire populations.']}, {'end': 192.667, 'start': 117.281, 'title': 'Starvation as a weapon of war', 'summary': 'Highlights the continued use of starvation as a weapon of war despite international laws banning it, citing examples from ethiopia, ukraine, and yemen, and expresses disgust at the lack of enforcement by international bodies and nation states.', 'duration': 75.386, 'highlights': ['The continued use of starvation as a weapon of war in Ethiopia, Ukraine, and Yemen despite international laws banning it.', 'The disgust at the lack of enforcement by international bodies and nation states despite the existence of laws banning the use of starvation as a weapon of war.', 'The historical ban on the use of starvation as a weapon of war post-World War II in the Geneva Conventions and its reiteration in international humanitarian law, including in 2018 due to the Saudi blockade over Yemen.']}], 'duration': 192.618, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo49.jpg', 'highlights': ['811 million people worldwide are hungry today, and 45 million people are on the edge of famine across 43 countries, with war being a major cause of starvation.', 'The continued use of starvation as a weapon of war in Ethiopia, Ukraine, and Yemen despite international laws banning it.', 'The impact of war on hunger is deeply disturbing as leaders intentionally starve entire populations.', 'The disgust at the lack of enforcement by international bodies and nation states despite the existence of laws banning the use of starvation as a weapon of war.', 'Sky Fitzgerald faced a moral dilemma during rescue operations: film someone drown or put down the camera to save them.', 'The historical ban on the use of starvation as a weapon of war post-World War II in the Geneva Conventions and its reiteration in international humanitarian law, including in 2018 due to the Saudi blockade over Yemen.']}, {'end': 916.857, 'segs': [{'end': 603.708, 'src': 'embed', 'start': 568.344, 'weight': 3, 'content': [{'end': 575.065, 'text': "In the case of sort of the status quo in Yemen right now, it's a completely asymmetrical war.", 'start': 568.344, 'duration': 6.721}, {'end': 587.29, 'text': 'And so the Saudi coalition, which is made up of primarily Saudi Arabia, the Emiratis, United States, France, Britain, supplying weapons,', 'start': 576.125, 'duration': 11.165}, {'end': 591.175, 'text': "but it's really driven and catalyzed by Saudi Arabia.", 'start': 587.29, 'duration': 3.885}, {'end': 603.708, 'text': "And it's asymmetrical to a great extent just because of the incredible firepower by air that the Saudis use continuously to pummel northern Yemen.", 'start': 591.195, 'duration': 12.513}], 'summary': 'Yemen is in an asymmetrical war with saudi-led coalition using massive air power to pummel northern yemen.', 'duration': 35.364, 'max_score': 568.344, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo568344.jpg'}, {'end': 696.697, 'src': 'embed', 'start': 668.743, 'weight': 0, 'content': [{'end': 672.945, 'text': 'who supports the Houthis nominally, and the rest of the world.', 'start': 668.743, 'duration': 4.202}, {'end': 674.505, 'text': "That's the Saudi narrative.", 'start': 673.245, 'duration': 1.26}, {'end': 676.906, 'text': 'The reality is something altogether different.', 'start': 674.966, 'duration': 1.94}, {'end': 685.61, 'text': 'While the Houthis do receive support from Iran, this is a war started by and sustained by MBS in Saudi Arabia.', 'start': 677.347, 'duration': 8.263}, {'end': 687.671, 'text': "Who's MBS? Mohammed bin Salman.", 'start': 685.63, 'duration': 2.041}, {'end': 692.554, 'text': 'And who is he? He is the son of the ruler of Saudi Arabia.', 'start': 688.411, 'duration': 4.143}, {'end': 696.697, 'text': "What's his power? I'm asking basic dumb questions.", 'start': 693.255, 'duration': 3.442}], 'summary': 'Houthis get support from iran, but war led by mbs in saudi arabia.', 'duration': 27.954, 'max_score': 668.743, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo668743.jpg'}, {'end': 866.515, 'src': 'embed', 'start': 837.279, 'weight': 4, 'content': [{'end': 838.06, 'text': 'Inhabit the character.', 'start': 837.279, 'duration': 0.781}, {'end': 839.241, 'text': 'Inhabit the person.', 'start': 838.24, 'duration': 1.001}, {'end': 841.223, 'text': 'So are you able to do that?', 'start': 839.581, 'duration': 1.642}, {'end': 850.113, 'text': 'or because you are also studying the people who suffer as a result as a consequence of their actions?', 'start': 841.223, 'duration': 8.89}, {'end': 854.878, 'text': 'you just you put them in a box and you say I hate the person in that box.', 'start': 850.113, 'duration': 4.765}, {'end': 857.642, 'text': "I'm going to move on.", 'start': 855.919, 'duration': 1.723}, {'end': 860.706, 'text': 'This goes back to your black and white statement at the beginning, right?', 'start': 857.882, 'duration': 2.824}, {'end': 863.39, 'text': "It's like the world as a whole.", 'start': 860.746, 'duration': 2.644}, {'end': 866.515, 'text': 'of course, you know is every gradation of gray, right?', 'start': 863.39, 'duration': 3.125}], 'summary': 'Discussing empathy towards characters and individuals, addressing shades of gray in the world.', 'duration': 29.236, 'max_score': 837.279, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo837279.jpg'}], 'start': 192.667, 'title': 'Hunger, homelessness, and conflict in yemen', 'summary': 'Discusses the critical need to address hunger and homelessness, emphasizing the impact of conflict on yemen and the urgent call for intervention and accountability. it also delves into the asymmetrical military dynamics between the saudi-led coalition and the houthi rebel group, offering insights into the narrative used to justify the war and the actions of mohammed bin salman.', 'chapters': [{'end': 616.3, 'start': 192.667, 'title': 'Hunger and homelessness: a call to action', 'summary': 'Discusses the urgent need to address hunger and homelessness, highlighting the impact of conflict on yemen, the tragic consequences of starvation, and the complicity of global players, emphasizing the critical role of empathy, intervention, and accountability.', 'duration': 423.633, 'highlights': ['The tragic consequences of starvation in Yemen, as illustrated by the story of Asila, who was born into a world of starvation and died without the chance to grow up, discover love, or have a career. Asila, born into starvation in Yemen, tragically died without the opportunity to experience life, showcasing the devastating impact of hunger on children in the region.', "The need for empathy and immediate understanding of hunger's impact, emphasized through the experience of fasting for three days and the fear of hopelessness at the end of the fast. The speaker emphasizes the importance of generating empathy and understanding the fear of hopelessness at the end of a fast, highlighting the urgency of addressing hunger and homelessness.", 'The complicity of global players, including the United States, in the conflict in Yemen and the role of Saudi Arabia in instituting a blockade that led to starvation. The discussion focuses on the complicity of global players, particularly the United States, in the conflict in Yemen, highlighting the impact of a blockade instituted by Saudi Arabia, leading to starvation and suffering.']}, {'end': 916.857, 'start': 616.36, 'title': 'Conflict in yemen: saudi vs houthi', 'summary': 'Discusses the asymmetrical military dynamics between the saudi-led coalition and the houthi rebel group in yemen, highlighting the narrative used by the saudis to justify the war and providing insight into the actions and impact of mohammed bin salman, the de facto ruler of saudi arabia, within the context of the conflict.', 'duration': 300.497, 'highlights': ['The conflict in Yemen is characterized by an asymmetrical military dynamic, with the Houthis relying on a drone force and the Saudis predominantly using proxies for ground operations. Houthis lacking an air force, Saudis not committing troops to the ground', "The Saudi narrative portrays the Houthis as an illegitimate government and the conflict as a proxy war between Iran and the rest of the world, while the reality reveals MBS's role in initiating and sustaining the war. Highlighting the discrepancy between the Saudi narrative and the actual instigator of the conflict", "Mohammed bin Salman, the de facto ruler of Saudi Arabia, is cited as one of three individuals causing considerable suffering and turmoil globally, alongside Assad and Putin, reflecting the significant impact of his actions. Emphasizing the global impact of Mohammed bin Salman's actions", "The speaker, referencing his background in theater, discusses the process of understanding and empathizing with individuals like MBS, Assad, and Putin, while ultimately concluding that their actions remain unjustifiable. Insight into the speaker's approach to understanding individuals involved in global conflicts"]}], 'duration': 724.19, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo192667.jpg', 'highlights': ['The tragic consequences of starvation in Yemen, as illustrated by the story of Asila, who was born into a world of starvation and died without the chance to grow up, discover love, or have a career.', 'The complicity of global players, including the United States, in the conflict in Yemen and the role of Saudi Arabia in instituting a blockade that led to starvation.', "The need for empathy and immediate understanding of hunger's impact, emphasized through the experience of fasting for three days and the fear of hopelessness at the end of the fast.", 'The conflict in Yemen is characterized by an asymmetrical military dynamic, with the Houthis relying on a drone force and the Saudis predominantly using proxies for ground operations.', "The Saudi narrative portrays the Houthis as an illegitimate government and the conflict as a proxy war between Iran and the rest of the world, while the reality reveals MBS's role in initiating and sustaining the war.", 'Mohammed bin Salman, the de facto ruler of Saudi Arabia, is cited as one of three individuals causing considerable suffering and turmoil globally, alongside Assad and Putin, reflecting the significant impact of his actions.', 'The speaker, referencing his background in theater, discusses the process of understanding and empathizing with individuals like MBS, Assad, and Putin, while ultimately concluding that their actions remain unjustifiable.']}, {'end': 1617.797, 'segs': [{'end': 969.443, 'src': 'embed', 'start': 941.27, 'weight': 0, 'content': [{'end': 944.491, 'text': 'I feel like to understand a leader, you have to first understand humans.', 'start': 941.27, 'duration': 3.221}, {'end': 951.914, 'text': "And to understand humans, you have to see humans at their worst and their best, which is something that you've definitely done.", 'start': 945.051, 'duration': 6.863}, {'end': 953.975, 'text': "So let's stick on hunger ward.", 'start': 952.294, 'duration': 1.681}, {'end': 959.837, 'text': "This lens that you've chosen to look at this is through a single, maybe you can speak to that.", 'start': 954.455, 'duration': 5.382}, {'end': 966.681, 'text': "You've mentioned the starvation as a result of war.", 'start': 960.558, 'duration': 6.123}, {'end': 967.882, 'text': 'what is the documentary?', 'start': 966.681, 'duration': 1.201}, {'end': 969.443, 'text': 'What is the lens?', 'start': 968.722, 'duration': 0.721}], 'summary': 'Understanding leadership by observing humans at their best and worst, focusing on starvation in war through a documentary lens.', 'duration': 28.173, 'max_score': 941.27, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo941270.jpg'}, {'end': 1026.202, 'src': 'embed', 'start': 992.407, 'weight': 2, 'content': [{'end': 1003.873, 'text': 'And what I try to focus on in many of my films, including Hunger Ward, is in the very difficult context of war,', 'start': 992.407, 'duration': 11.466}, {'end': 1006.675, 'text': 'as the case is in Hunger Ward in Yemen.', 'start': 1003.873, 'duration': 2.802}, {'end': 1017.015, 'text': 'I look for hope and I look for inspiration, and I do that through people who are doing incredible things under the most difficult circumstances.', 'start': 1007.948, 'duration': 9.067}, {'end': 1025.04, 'text': 'When I set out to do a film about starvation in Yemen.', 'start': 1017.555, 'duration': 7.485}, {'end': 1026.202, 'text': 'just listen to that statement.', 'start': 1025.04, 'duration': 1.162}], 'summary': "Filmmaker seeks hope and inspiration in war-torn yemen, highlighting people's resilience.", 'duration': 33.795, 'max_score': 992.407, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo992407.jpg'}, {'end': 1080.064, 'src': 'embed', 'start': 1053.07, 'weight': 1, 'content': [{'end': 1063.336, 'text': 'And so we chose to tell the story, sort of through their experiences as caregivers, devoting their lives to try to save this entire cohort,', 'start': 1053.07, 'duration': 10.266}, {'end': 1067.999, 'text': 'this entire generation of children that has been born into starvation.', 'start': 1063.336, 'duration': 4.663}, {'end': 1080.064, 'text': "And that's an incredible difficult task, but equally inspirational to watch these human beings devote every minute of every day to save a child.", 'start': 1068.999, 'duration': 11.065}], 'summary': 'Caregivers devote their lives to save a generation of starving children.', 'duration': 26.994, 'max_score': 1053.07, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo1053070.jpg'}, {'end': 1281.889, 'src': 'embed', 'start': 1255.247, 'weight': 3, 'content': [{'end': 1260.388, 'text': 'talked to one of the other mothers and convinced them to become the temporary guardian, essentially,', 'start': 1255.247, 'duration': 5.141}, {'end': 1264.589, 'text': 'of this child until a female relative could arrive.', 'start': 1260.388, 'duration': 4.201}, {'end': 1266.09, 'text': "So, you know, she's flexible.", 'start': 1264.669, 'duration': 1.421}, {'end': 1270.77, 'text': 'She finds solutions rather than allowing the problems to deter solutions.', 'start': 1266.25, 'duration': 4.52}, {'end': 1272.151, 'text': 'One child at a time.', 'start': 1271.17, 'duration': 0.981}, {'end': 1273.731, 'text': 'Yeah, yeah, one child at a time.', 'start': 1272.191, 'duration': 1.54}, {'end': 1281.889, 'text': 'You mentioned that you saw a child die in front of you.', 'start': 1276.407, 'duration': 5.482}], 'summary': 'Mother convinced temporary guardian for child until female relative arrived, showing flexibility and problem-solving approach.', 'duration': 26.642, 'max_score': 1255.247, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo1255247.jpg'}], 'start': 916.877, 'title': 'Understanding human nature through suffering', 'summary': "Delves into the documentary 'hunger ward', exploring the lens of suffering in yemen's war, emphasizing hope amid widespread suffering, and the dedication of individuals in saving children from starvation. it also discusses the challenges faced by the filmmaker and the impact on their perspective.", 'chapters': [{'end': 1162.294, 'start': 916.877, 'title': 'Understanding human nature through the lens of suffering', 'summary': "Discusses the documentary 'hunger ward', highlighting the lens of suffering in the context of war in yemen, emphasizing the search for hope and inspiration amidst the overwhelming scale of suffering, and the dedication of individuals in saving children from starvation.", 'duration': 245.417, 'highlights': ["The documentary 'Hunger Ward' focuses on the suffering in Yemen due to war, emphasizing the search for hope and inspiration amidst the overwhelming scale of suffering. The lens of the documentary 'Hunger Ward' is centered on the suffering in Yemen as a result of war, highlighting the search for hope and inspiration in the midst of immense suffering.", "The dedication of individuals like Makia Maji and Dr. Aida Al-Siddiq in saving children from starvation is showcased in the documentary 'Hunger Ward'. The documentary 'Hunger Ward' portrays the dedication of individuals like Makia Maji and Dr. Aida Al-Siddiq, who are devoted to saving a generation of children born into starvation in Yemen.", 'The staggering statistic that a child dies every 75 seconds in Yemen from hunger is mentioned, highlighting the overwhelming scale of suffering. The chapter emphasizes the staggering statistic that a child dies every 75 seconds in Yemen from hunger, illustrating the overwhelming scale of suffering in the region.']}, {'end': 1617.797, 'start': 1163.562, 'title': 'Filming hunger ward', 'summary': "Discusses the challenges faced by the filmmaker while documenting the experiences of healthcare providers and patients in yemen, highlighting the individual stories of suffering and the impact of the filming process on the filmmaker's perspective.", 'duration': 454.235, 'highlights': ["As a filmmaker, the focus is on individual stories of suffering to avoid psychic numbing, highlighting healthcare providers' dedication to treating anyone who shows up at the clinic or hospital, irrespective of resources or financial status.", "Makia's flexibility and problem-solving approach are showcased when she arranges temporary guardianship for a child requiring specialized treatment, reflecting the challenges and gender dynamics in Yemen's healthcare system.", 'The filmmaker discusses the ethical and emotional responsibilities of documenting the reality of child deaths due to starvation-related causes, emphasizing the need to convey the urgency of the situation to a Western audience and the political dynamics contributing to the crisis.', "The filmmaker's personal reflection on the impact of filming in malnutrition clinics, including the mindfulness and appreciation for privilege, and the transformative effect of such experiences on his perspective and identity as a filmmaker and a human being."]}], 'duration': 700.92, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo916877.jpg', 'highlights': ['The staggering statistic that a child dies every 75 seconds in Yemen from hunger is mentioned, highlighting the overwhelming scale of suffering.', "The documentary 'Hunger Ward' focuses on the suffering in Yemen due to war, emphasizing the search for hope and inspiration amidst the overwhelming scale of suffering.", "The dedication of individuals like Makia Maji and Dr. Aida Al-Siddiq in saving children from starvation is showcased in the documentary 'Hunger Ward'.", "As a filmmaker, the focus is on individual stories of suffering to avoid psychic numbing, highlighting healthcare providers' dedication to treating anyone who shows up at the clinic or hospital, irrespective of resources or financial status.", 'The filmmaker discusses the ethical and emotional responsibilities of documenting the reality of child deaths due to starvation-related causes, emphasizing the need to convey the urgency of the situation to a Western audience and the political dynamics contributing to the crisis.']}, {'end': 3265.706, 'segs': [{'end': 1799.188, 'src': 'embed', 'start': 1718.6, 'weight': 4, 'content': [{'end': 1723.863, 'text': 'And as a human being, as a filmmaker, I was incredibly inspired by Omema.', 'start': 1718.6, 'duration': 5.263}, {'end': 1726.285, 'text': 'That capacity for compassion is there.', 'start': 1724.244, 'duration': 2.041}, {'end': 1731.689, 'text': "even within a 10-year-old girl who's starving, right? And so you asked what changed me.", 'start': 1726.585, 'duration': 5.104}, {'end': 1733.751, 'text': "That's one moment right?", 'start': 1732.41, 'duration': 1.341}, {'end': 1741.617, 'text': 'Rather than being crushed by such heavy content, it was actually the opposite where I came away, inspired by a 10-year-old girl.', 'start': 1734.452, 'duration': 7.165}, {'end': 1745, 'text': "And I didn't anticipate that.", 'start': 1742.478, 'duration': 2.522}, {'end': 1748.483, 'text': "I didn't think that's what this content would do, but it's what it did.", 'start': 1745.24, 'duration': 3.243}, {'end': 1758.17, 'text': 'It reinforced, for me, sort of this incredible capacity we all have as human beings right? to do good, right? To,', 'start': 1748.503, 'duration': 9.667}, {'end': 1764.493, 'text': 'even within the most difficult of circumstances, to choose who we become and what we do.', 'start': 1758.17, 'duration': 6.323}, {'end': 1768.375, 'text': 'And a 10-year-old girl taught me that or reinforced that for me.', 'start': 1765.073, 'duration': 3.302}, {'end': 1774.097, 'text': 'Were you able to feel the culture of the people?', 'start': 1769.215, 'duration': 4.882}, {'end': 1776.518, 'text': 'So the language barrier.', 'start': 1774.237, 'duration': 2.281}, {'end': 1782.081, 'text': 'were you able to break through the language barrier, the culture barrier you know, to understand the people?', 'start': 1776.518, 'duration': 5.563}, {'end': 1795.007, 'text': 'because even suffering has a language of sorts, depending on where you are the way people joke about things, the way they cry, the way.', 'start': 1783.964, 'duration': 11.043}, {'end': 1797.647, 'text': 'this is an interesting thing I actually want to ask you.', 'start': 1795.007, 'duration': 2.64}, {'end': 1799.188, 'text': "sorry, I'm asking a million questions.", 'start': 1797.647, 'duration': 1.541}], 'summary': 'Being inspired by a starving 10-year-old girl reinforced the capacity of compassion in human beings, despite difficult circumstances and cultural barriers.', 'duration': 80.588, 'max_score': 1718.6, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo1718600.jpg'}, {'end': 2017.953, 'src': 'embed', 'start': 1987.715, 'weight': 1, 'content': [{'end': 1996.222, 'text': 'She forms these really rather quickly deep relationships of compassion with the families.', 'start': 1987.715, 'duration': 8.507}, {'end': 2002.288, 'text': "It's amazing to watch and no language is needed to bear witness to this.", 'start': 1997.784, 'duration': 4.504}, {'end': 2007.009, 'text': 'and she also suffers because of that, right?', 'start': 2003.208, 'duration': 3.801}, {'end': 2017.953, 'text': 'And so, near the end of the film, if you recall, when another child dies and the mother is wailing, we actually cut away to Salha,', 'start': 2007.049, 'duration': 10.904}], 'summary': 'Salha forms deep relationships with families, showing compassion without language. she suffers emotionally as well.', 'duration': 30.238, 'max_score': 1987.715, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo1987715.jpg'}, {'end': 2681.198, 'src': 'embed', 'start': 2652.306, 'weight': 0, 'content': [{'end': 2658.031, 'text': "And I think that's why leaders make the wrong choices so often, is they second guess themselves.", 'start': 2652.306, 'duration': 5.725}, {'end': 2667.599, 'text': 'I think you take all the data at your fingertips, all the intelligence that you have, and you look at it all very carefully and you make a decision.', 'start': 2659.832, 'duration': 7.767}, {'end': 2673.423, 'text': "There are some instances though, where it's very clear what's happening.", 'start': 2668.84, 'duration': 4.583}, {'end': 2676.094, 'text': "and leaders still don't act.", 'start': 2674.793, 'duration': 1.301}, {'end': 2681.198, 'text': "In Yemen right now, for example, it's very clear what's happening.", 'start': 2676.534, 'duration': 4.664}], 'summary': 'Leaders often second guess, but must act decisively based on clear data, as seen in yemen.', 'duration': 28.892, 'max_score': 2652.306, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo2652306.jpg'}, {'end': 3129.605, 'src': 'embed', 'start': 3099.927, 'weight': 11, 'content': [{'end': 3101.188, 'text': 'I want to talk to a lot of people.', 'start': 3099.927, 'duration': 1.261}, {'end': 3102.809, 'text': 'I want to talk to the leaders.', 'start': 3101.208, 'duration': 1.601}, {'end': 3104.191, 'text': 'I want to talk to regular people.', 'start': 3102.849, 'duration': 1.342}, {'end': 3112.778, 'text': 'To be honest, and I would love to get your comments on this, the regular quote-unquote people are way more fascinating to me.', 'start': 3104.571, 'duration': 8.207}, {'end': 3117.483, 'text': 'As a filmmaker, how do you figure out how to tell this story?', 'start': 3113.502, 'duration': 3.981}, {'end': 3120.303, 'text': "I'm sure a guy with a camera.", 'start': 3118.583, 'duration': 1.72}, {'end': 3127.105, 'text': "you're looking at war in Ukraine, but also what's going on in Yemen and Syria and other places in the world.", 'start': 3120.303, 'duration': 6.802}, {'end': 3128.085, 'text': 'I mentioned North Korea.', 'start': 3127.145, 'duration': 0.94}, {'end': 3129.605, 'text': "That's a super interesting one.", 'start': 3128.385, 'duration': 1.22}], 'summary': 'Filmmaker seeks diverse perspectives for compelling stories worldwide.', 'duration': 29.678, 'max_score': 3099.927, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo3099927.jpg'}], 'start': 1617.817, 'title': 'Compassion and global crisis', 'summary': 'Follows the journey of a compassionate 10-year-old in midst of famine, while also discussing the global crisis of authoritarian-led famines, displacement of 73-74 million people, moral dilemmas in military intervention, and the potential impact of sanctions on leaders like mbs and putin.', 'chapters': [{'end': 2095.42, 'start': 1617.817, 'title': "A 10-year-old's compassion", 'summary': 'Follows the journey of a severely malnourished 10-year-old girl, who, despite her own suffering, exhibits compassion by offering water to another starving child, inspiring the filmmaker and highlighting the universal capacity for compassion.', 'duration': 477.603, 'highlights': ["The 10-year-old girl, Omeima, despite being severely malnourished, exhibits compassion by offering water to another starving child, inspiring the filmmaker and showcasing the universal capacity for compassion. Omeima's act of offering water to another starving child demonstrates the capacity for compassion even in the most difficult circumstances.", "The filmmaker is inspired by Omeima's capacity for compassion and is moved by her actions despite the heavy content of the situation, reinforcing the incredible capacity of human beings to do good. The filmmaker's inspiration by Omeima's compassion highlights the universal capacity for human beings to choose kindness and do good, even in the face of adversity.", "The universal language of suffering and compassion transcends linguistic barriers, as demonstrated by the actions and emotions of the caregivers, emphasizing the power of universal emotions and experiences. The caregivers' actions and emotions showcase the transcendent nature of suffering and compassion, emphasizing universal emotions and experiences that transcend language barriers.", "Salha, a caregiver, forms deep relationships of compassion with families in the ward through actions and emotions, demonstrating the universal nature of compassion and suffering, regardless of language. Salha's ability to form deep relationships of compassion with families in the ward highlights the universal nature of compassion and suffering, transcending language barriers and emphasizing the power of universal emotions."]}, {'end': 2514.966, 'start': 2095.44, 'title': 'Famine as a weapon: the global crisis', 'summary': 'Discusses the prevalence of famines manufactured by authoritarian leaders, the need for international humanitarian law enforcement to prevent famine as a weapon in conflicts like ukraine and yemen, and the global challenge of displacement, with the current estimates of 73-74 million displaced individuals on the planet.', 'duration': 419.526, 'highlights': ['The prevalence of famines manufactured by authoritarian leaders, with Ukraine being a current example of famine being used as a weapon in war, and the need for international humanitarian law enforcement to prevent such crises.', 'The global challenge of displacement, with the current estimates of 73-74 million displaced individuals on the planet, setting up a strain on global resources to deal with refugees, especially due to conflicts like the war in Ukraine.', 'The missed opportunity to prevent the killing of hundreds of thousands of civilians in Syria, highlighting the failure to leverage military capability as a player on the global stage to intervene in humanitarian crises.']}, {'end': 2860.213, 'start': 2515.006, 'title': 'Military intervention and moral dilemmas', 'summary': 'Discusses missed opportunities for military intervention in syria, the moral justifications for the use of power, the challenges of distinguishing good and evil in international conflicts, and the impact of maintaining relationships with authoritarian regimes, emphasizing the need for moral leadership in global decision-making.', 'duration': 345.207, 'highlights': ['The missed opportunity for military intervention in Syria before Russia got involved and the potential to create a no-fly zone to save civilian lives. 55 gallon drum full of explosives and shrapnel dropped on civilian neighborhoods, early intervention possibility.', 'The moral justification for the use of military power to stop atrocities, such as shooting down helicopters dropping barrel bombs on civilian neighborhoods in Syria. Instances of barrel bombs dropping on civilian neighborhoods for months with intent to kill Syrian civilians.', 'The challenge of distinguishing good and evil in US intervention in different countries and conflicts, and the difficulty of making the right choices in the moment. Difficulty of distinguishing good and evil in the moment of decision-making.', 'The impact of maintaining relationships with authoritarian regimes, particularly in the context of the US-Saudi Arabia relationship and the moral dilemmas it presents. Moral dilemmas arising from maintaining positive ties with Saudi Arabia despite the impact on Yemen.']}, {'end': 3265.706, 'start': 2860.213, 'title': "Biden's response to mbs and the power of sanctions", 'summary': "Discusses biden's response to mbs after the cia report on khashoggi's murder, emphasizing the potential impact of individual and concrete sanctions on authoritarian leaders like mbs and putin, and the filmmaker's deliberate selection of stories based on the 'so what' threshold.", 'duration': 405.493, 'highlights': ["The potential impact of individual and concrete sanctions on authoritarian leaders like MBS and Putin, and the deliberate selection of stories based on the 'so what' threshold. The chapter highlights the potential impact of individual and concrete sanctions on authoritarian leaders like MBS and Putin, emphasizing the filmmaker's deliberate selection of stories based on the 'so what' threshold.", "Biden's response to MBS after the CIA report on Khashoggi's murder and the suggestion of imposing concrete sanctions to remove MBS's ability to fly to the United States. The chapter discusses Biden's response to MBS after the CIA report on Khashoggi's murder, suggesting the imposition of concrete sanctions to remove MBS's ability to fly to the United States.", "The filmmaker's intentional approach in selecting stories based on personal investment and the 'so what' threshold, highlighting the importance of drawing attention to critical global issues. The chapter emphasizes the filmmaker's intentional approach in selecting stories based on personal investment and the 'so what' threshold, highlighting the importance of drawing attention to critical global issues."]}], 'duration': 1647.889, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo1617817.jpg', 'highlights': ["Omeima's act of offering water to another starving child demonstrates the capacity for compassion even in the most difficult circumstances.", "The filmmaker's inspiration by Omeima's compassion highlights the universal capacity for human beings to choose kindness and do good, even in the face of adversity.", "The caregivers' actions and emotions showcase the transcendent nature of suffering and compassion, emphasizing universal emotions and experiences that transcend language barriers.", "Salha's ability to form deep relationships of compassion with families in the ward highlights the universal nature of compassion and suffering, transcending language barriers and emphasizing the power of universal emotions.", 'The prevalence of famines manufactured by authoritarian leaders, with Ukraine being a current example of famine being used as a weapon in war, and the need for international humanitarian law enforcement to prevent such crises.', 'The global challenge of displacement, with the current estimates of 73-74 million displaced individuals on the planet, setting up a strain on global resources to deal with refugees, especially due to conflicts like the war in Ukraine.', 'The missed opportunity for military intervention in Syria before Russia got involved and the potential to create a no-fly zone to save civilian lives.', 'Instances of barrel bombs dropping on civilian neighborhoods for months with intent to kill Syrian civilians.', 'Moral dilemmas arising from maintaining positive ties with Saudi Arabia despite the impact on Yemen.', "The chapter highlights the potential impact of individual and concrete sanctions on authoritarian leaders like MBS and Putin, emphasizing the filmmaker's deliberate selection of stories based on the 'so what' threshold.", "The chapter discusses Biden's response to MBS after the CIA report on Khashoggi's murder, suggesting the imposition of concrete sanctions to remove MBS's ability to fly to the United States.", "The chapter emphasizes the filmmaker's intentional approach in selecting stories based on personal investment and the 'so what' threshold, highlighting the importance of drawing attention to critical global issues."]}, {'end': 3961.671, 'segs': [{'end': 3448.347, 'src': 'embed', 'start': 3378.677, 'weight': 1, 'content': [{'end': 3385.38, 'text': 'As a filmmaker, almost wanna talk about the technical details.', 'start': 3378.677, 'duration': 6.703}, {'end': 3393.423, 'text': 'How do you choose to shoot stuff? Again, so maybe you can explain to me.', 'start': 3386.64, 'duration': 6.783}, {'end': 3402.007, 'text': 'I work with incredible folks that care about lenses and equipment and so on.', 'start': 3393.443, 'duration': 8.564}, {'end': 3404.188, 'text': 'I tend to be somebody..', 'start': 3402.027, 'duration': 2.161}, {'end': 3412.54, 'text': 'that just wants to kind of go as like a gorilla shooting.', 'start': 3406.482, 'duration': 6.058}, {'end': 3418.504, 'text': 'Not plan too much, just go with gritty.', 'start': 3414.421, 'duration': 4.083}, {'end': 3420.425, 'text': "I'm trying to come up with words that sound positive.", 'start': 3418.564, 'duration': 1.861}, {'end': 3424.008, 'text': 'Do a positive spin on what I try to do.', 'start': 3422.246, 'duration': 1.762}, {'end': 3426.809, 'text': "But like gritty, don't over plan.", 'start': 3424.048, 'duration': 2.761}, {'end': 3430.572, 'text': 'We had a big discussion if you see this light.', 'start': 3426.829, 'duration': 3.743}, {'end': 3435.455, 'text': "It's on a stand that's a very ghetto stand.", 'start': 3432.293, 'duration': 3.162}, {'end': 3436.276, 'text': "It's cheap.", 'start': 3436.016, 'duration': 0.26}, {'end': 3437.356, 'text': 'You need a sandbag on that, man.', 'start': 3436.296, 'duration': 1.06}, {'end': 3445.004, 'text': 'Exactly No sandbag, and the stand is actually bending under the weight of that thing.', 'start': 3437.517, 'duration': 7.487}, {'end': 3446.065, 'text': 'It could fall on us.', 'start': 3445.264, 'duration': 0.801}, {'end': 3447.106, 'text': 'It could fall.', 'start': 3446.445, 'duration': 0.661}, {'end': 3448.347, 'text': "It probably won't reach us, but it could fall.", 'start': 3447.126, 'duration': 1.221}], 'summary': 'Filmmaker prefers gritty, guerrilla-style shooting with minimal planning and equipment, using cheap, potentially unsafe setups.', 'duration': 69.67, 'max_score': 3378.677, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo3378677.jpg'}, {'end': 3901.271, 'src': 'embed', 'start': 3866.881, 'weight': 0, 'content': [{'end': 3880.474, 'text': "And I can't come back to the US afterwards and walk down the grocery aisle, where there's 50 different choices for canned peas,", 'start': 3866.881, 'duration': 13.593}, {'end': 3889.202, 'text': 'and not feel that live tension, that live tension of the privilege that I have here in the US.', 'start': 3880.474, 'duration': 8.728}, {'end': 3893.806, 'text': 'And then I have a choice about what to do with that privilege.', 'start': 3889.682, 'duration': 4.124}, {'end': 3901.271, 'text': 'And the last thing I want to do is start doing stories about dandelions.', 'start': 3894.286, 'duration': 6.985}], 'summary': 'Feeling privileged in the us, facing many choices, and seeking to use privilege for meaningful action.', 'duration': 34.39, 'max_score': 3866.881, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo3866881.jpg'}], 'start': 3266.487, 'title': "Filmmaker's camera power", 'summary': "Highlights the filmmaker's belief in the camera as a tool for change, the organic process of story selection, and the emphasis on access and trust in capturing compelling visuals, showcasing the impact of geopolitical decisions.", 'chapters': [{'end': 3602.757, 'start': 3266.487, 'title': 'Power of the camera', 'summary': "Highlights the filmmaker's belief in the camera as a tool for change, the organic process of story selection, and the emphasis on access and trust in capturing compelling visuals, showcasing the impact of geopolitical decisions.", 'duration': 336.27, 'highlights': ["The filmmaker believes the camera is a powerful tool for raising awareness and understanding the impact of geopolitical decisions on real people's lives, emphasizing the intent behind each film.", 'Story selection flows organically, often based on relationships developed in the last film, with the next project chosen through insights shared by colleagues, revealing pressing topics before they hit the world stage.', 'Emphasizing the importance of access in storytelling, the filmmaker discusses the nuanced and difficult process of gaining access, which informs both the logistical and creative aspects of filming, such as the need for minimal intrusion during sensitive moments.', "The filmmaker's approach to shooting involves prioritizing grittiness and spontaneity over meticulous planning, embracing the chaos of filmmaking to focus on the storytelling rather than the equipment, while also acknowledging the power of capturing compelling visuals through technical and philosophical considerations."]}, {'end': 3961.671, 'start': 3603.578, 'title': 'Capturing intimate moments in filmmaking', 'summary': 'Explores the logistical and creative choices made in capturing vulnerable moments, emphasizing the importance of being in the room and the creative journey to access difficult stories, all driven by the goal of bearing witness to inspiring people under difficult circumstances.', 'duration': 358.093, 'highlights': ['The logistical and creative choices made in capturing vulnerable moments The filmmaker emphasizes the importance of being fleet, nimble, and small to capture intimate moments without interrupting the scene, using long lenses and being intentional about not disrupting the moment.', "The creative journey to access difficult stories The process of gaining access to difficult stories is described as a creative act, involving interactions with people that steer the direction of the filmmaker's life and work, ultimately leading to a creative journey to be in the room and shoot the scene.", 'The goal of bearing witness to inspiring people under difficult circumstances The filmmaker expresses the goal of bearing witness to inspiring people under difficult circumstances, driven by the lived experience in challenging environments and the desire to make meaningful use of the privilege that comes with living in a more privileged society.']}], 'duration': 695.184, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo3266487.jpg', 'highlights': ["The filmmaker believes the camera is a powerful tool for raising awareness and understanding the impact of geopolitical decisions on real people's lives, emphasizing the intent behind each film.", 'Story selection flows organically, often based on relationships developed in the last film, with the next project chosen through insights shared by colleagues, revealing pressing topics before they hit the world stage.', 'The logistical and creative choices made in capturing vulnerable moments The filmmaker emphasizes the importance of being fleet, nimble, and small to capture intimate moments without interrupting the scene, using long lenses and being intentional about not disrupting the moment.', "The creative journey to access difficult stories The process of gaining access to difficult stories is described as a creative act, involving interactions with people that steer the direction of the filmmaker's life and work, ultimately leading to a creative journey to be in the room and shoot the scene."]}, {'end': 5803.626, 'segs': [{'end': 4269.811, 'src': 'embed', 'start': 4235.595, 'weight': 8, 'content': [{'end': 4241.017, 'text': "Well, so I do draw a distinction between journalism and filmmaking, because I think you're right.", 'start': 4235.595, 'duration': 5.422}, {'end': 4241.938, 'text': "They're different.", 'start': 4241.277, 'duration': 0.661}, {'end': 4249.681, 'text': 'And there are some filmmakers who do hew to sort of the journalistic tenants of who, what, where, when, why.', 'start': 4242.778, 'duration': 6.903}, {'end': 4251.341, 'text': 'fair and balanced on both sides, right?', 'start': 4249.681, 'duration': 1.66}, {'end': 4252.462, 'text': 'Make sure everyone has a voice.', 'start': 4251.421, 'duration': 1.041}, {'end': 4253.182, 'text': "I don't.", 'start': 4252.482, 'duration': 0.7}, {'end': 4257.724, 'text': "If you say fair and balanced, you're rarely either fair or balanced.", 'start': 4253.542, 'duration': 4.182}, {'end': 4259.405, 'text': "I've seen that with journalists.", 'start': 4258.305, 'duration': 1.1}, {'end': 4269.811, 'text': 'Journalists often, unfortunately in my perspective, sorry to interrupt you rudely and go on a rant, but they seem to have an agenda,', 'start': 4259.705, 'duration': 10.106}], 'summary': 'Filmmaking and journalism are distinct. fair and balanced reporting may not always be achieved due to potential biases and agendas.', 'duration': 34.216, 'max_score': 4235.595, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo4235595.jpg'}, {'end': 4317.737, 'src': 'embed', 'start': 4285.735, 'weight': 1, 'content': [{'end': 4292.279, 'text': "I think in anything we do, whether it's like to seek truth or some larger principle.", 'start': 4285.735, 'duration': 6.544}, {'end': 4295.221, 'text': 'Sure I always have an agenda.', 'start': 4292.8, 'duration': 2.421}, {'end': 4304.427, 'text': 'I chose to work with civilians and caretakers in Yemen on Hunger Ward rather than to go interview MBS, right?', 'start': 4296.042, 'duration': 8.385}, {'end': 4308.249, 'text': "That's what I'm interested in is bringing that to the world.", 'start': 4305.847, 'duration': 2.402}, {'end': 4317.737, 'text': "But in terms of building relationships and trust, it's really, I think,", 'start': 4310.591, 'duration': 7.146}], 'summary': 'Focused on working with civilians and caretakers in yemen on hunger ward to bring awareness to the world.', 'duration': 32.002, 'max_score': 4285.735, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo4285735.jpg'}, {'end': 4459.767, 'src': 'embed', 'start': 4422.697, 'weight': 0, 'content': [{'end': 4423.798, 'text': 'Cameras, lenses.', 'start': 4422.697, 'duration': 1.101}, {'end': 4428.923, 'text': 'How much do those matter? You mentioned director of photography.', 'start': 4424.899, 'duration': 4.024}, {'end': 4442.4, 'text': "How much do you love the feel, the smell of equipment that does the visual filming? There's some people, they're just like, They love lenses.", 'start': 4430.144, 'duration': 12.256}, {'end': 4445.601, 'text': 'How much do you love that versus?', 'start': 4443.16, 'duration': 2.441}, {'end': 4448.742, 'text': 'how much do you focus on the story or access and all those kinds of things?', 'start': 4445.601, 'duration': 3.141}, {'end': 4459.767, 'text': "I'm not a tech geek, but because during the bulk of my career I've worked as a director of photography myself for other people.", 'start': 4449.042, 'duration': 10.725}], 'summary': 'Discussion on the importance of equipment and story in filmmaking by a director of photography.', 'duration': 37.07, 'max_score': 4422.697, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo4422697.jpg'}, {'end': 4540.609, 'src': 'embed', 'start': 4517.624, 'weight': 2, 'content': [{'end': 4524.845, 'text': "You're only allowed to fund the film and no corrupt stuff where you like use the film to actually help children.", 'start': 4517.624, 'duration': 7.221}, {'end': 4526.206, 'text': "No, you're not allowed to do any of that.", 'start': 4524.865, 'duration': 1.341}, {'end': 4528.346, 'text': "What I would do with the trillion is I wouldn't invest in it.", 'start': 4526.446, 'duration': 1.9}, {'end': 4533.947, 'text': 'Well, I guess I would invest in, I would increase capacity to do more films, what I would do.', 'start': 4528.566, 'duration': 5.381}, {'end': 4540.609, 'text': 'So as I would buy basically the perfect little, you know, mini equipment set right?', 'start': 4534.007, 'duration': 6.602}], 'summary': 'Funding films for children, increasing capacity with a trillion investment.', 'duration': 22.985, 'max_score': 4517.624, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo4517624.jpg'}, {'end': 4677.468, 'src': 'embed', 'start': 4651.667, 'weight': 5, 'content': [{'end': 4660.194, 'text': "or if we do do an interview, which we don't do very often, but if we do just so, we have a key light on the face right?", 'start': 4651.667, 'duration': 8.527}, {'end': 4666.359, 'text': 'And always bring a reflector or two, you know, just to shape natural light as well in ways.', 'start': 4661.135, 'duration': 5.224}, {'end': 4671.963, 'text': "But it's about shaping rather than producing light for us.", 'start': 4666.839, 'duration': 5.124}, {'end': 4677.468, 'text': 'Got it, as we sit surrounded by black curtains in complete natural light.', 'start': 4673.104, 'duration': 4.364}], 'summary': 'Interviews are infrequent, using key light and reflectors for natural light shaping.', 'duration': 25.801, 'max_score': 4651.667, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo4651667.jpg'}, {'end': 4900.785, 'src': 'embed', 'start': 4875.773, 'weight': 6, 'content': [{'end': 4882.893, 'text': "So what I do, my process, is that once, if it's a really difficult project, i'll take a break before i go through this.", 'start': 4875.773, 'duration': 7.12}, {'end': 4889.177, 'text': "yeah, just just for healing, you know, and some space away and fresh eyes, and usually that's about a month.", 'start': 4882.893, 'duration': 6.284}, {'end': 4897.183, 'text': 'and then, once i re-engage, i re-engage whole hog, i re-engage fully and and it and i review every single frame.', 'start': 4889.177, 'duration': 8.006}, {'end': 4900.785, 'text': 'and as i do that, i create a spreadsheet.', 'start': 4897.183, 'duration': 3.602}], 'summary': 'After taking a month-long break, i review every frame and create a spreadsheet for difficult projects.', 'duration': 25.012, 'max_score': 4875.773, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo4875773.jpg'}, {'end': 5047.744, 'src': 'embed', 'start': 5018.264, 'weight': 7, 'content': [{'end': 5020.886, 'text': "That's also iterative in a sense.", 'start': 5018.264, 'duration': 2.622}, {'end': 5033.754, 'text': "Because maybe when you have a film that's 20,, 30, 40 minutes, or if it's feature length, do you ever have it where it sucks?", 'start': 5021.266, 'duration': 12.488}, {'end': 5040.218, 'text': 'Is there a stage where it sucks?', 'start': 5034.714, 'duration': 5.504}, {'end': 5042.9, 'text': 'No, this is not what I was imagining.', 'start': 5040.278, 'duration': 2.622}, {'end': 5046.803, 'text': "When it's all put together in this way, this is not working right.", 'start': 5042.92, 'duration': 3.883}, {'end': 5047.744, 'text': 'This is not right.', 'start': 5047.003, 'duration': 0.741}], 'summary': "Iterative process: refining film length and quality. no stage where it 'sucks' or doesn't work.", 'duration': 29.48, 'max_score': 5018.264, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo5018264.jpg'}, {'end': 5195.405, 'src': 'embed', 'start': 5174.217, 'weight': 4, 'content': [{'end': 5183.038, 'text': "Yeah, Well yeah, I mean I wasn't an actor, but I had to act and I had to know the craft of acting, because I was in the theater, you know,", 'start': 5174.217, 'duration': 8.821}, {'end': 5184.258, 'text': 'to work with actors.', 'start': 5183.038, 'duration': 1.22}, {'end': 5188.001, 'text': 'Did you love it though? Did you love acting? The theater? Yeah, theater.', 'start': 5184.759, 'duration': 3.242}, {'end': 5190.802, 'text': 'The first, yeah, as an undergraduate, yeah.', 'start': 5188.241, 'duration': 2.561}, {'end': 5195.405, 'text': 'But then I learned pretty quickly that I was pretty bad at it, or at least not very good.', 'start': 5190.882, 'duration': 4.523}], 'summary': 'Speaker was involved in theater but realized they were not very good at acting.', 'duration': 21.188, 'max_score': 5174.217, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo5174217.jpg'}], 'start': 3962.212, 'title': 'Nonfiction filmmaking', 'summary': 'Covers a chance encounter with a syrian-american surgeon leading to a volunteer mission, embracing curiosity and persistence for career success, the art of nonfiction filmmaking involving collaboration and visual storytelling, evolving vision and creative process in filmmaking, and the journey of a self-taught nonfiction storyteller.', 'chapters': [{'end': 4044.548, 'start': 3962.212, 'title': 'Serendipitous encounter with a syrian-american surgeon', 'summary': 'Recounts a chance encounter with a syrian-american orthopedic hand surgeon, leading to a conversation about syria and a subsequent invitation to join him on a volunteer mission, highlighting the importance of being open to serendipitous moments.', 'duration': 82.336, 'highlights': ['The Syrian-American surgeon quickly diagnosed the need for surgery within five minutes of the appointment.', 'The conversation about Syria led to an hour-long discussion, prompting the surgeon to invite the storyteller to join him on a volunteer mission to the Syrian border.', 'The storyteller emphasizes the significance of being open to serendipitous moments, attributing the opportunity to join the volunteer mission to such a moment.', "The storyteller's proactive approach in intentionally seeking access to different stories, including those in 'Lifeboat' and 'Hunger Ward', involved concerted effort and perseverance."]}, {'end': 4257.724, 'start': 4044.548, 'title': 'Embracing curiosity and persistence', 'summary': "Discusses the importance of being open to experiences and embracing curiosity, while emphasizing the role of persistence and incremental evolution in career success, illustrated by the filmmaker's journey of continuous learning and improvement.", 'duration': 213.176, 'highlights': ['The importance of being open to experiences and embracing curiosity The chapter emphasizes the significance of being open to experiences and embracing curiosity to discover fascinating people and connections, highlighting the abundance of amazing human beings who are doing incredible things.', "The role of persistence and incremental evolution in career success The filmmaker's career is characterized by persistence and incremental evolution, illustrated by a marathon analogy, emphasizing the approach of continuous learning and improvement with each project.", "Drawing a distinction between journalism and filmmaking The distinction between journalism and filmmaking is discussed, with a focus on the filmmaker's approach of not adhering to journalistic principles but rather emphasizing storytelling and building trust with subjects."]}, {'end': 4784.553, 'start': 4258.305, 'title': 'The art of nonfiction filmmaking', 'summary': 'Discusses the importance of building relationships, active consent, and transparency in nonfiction filmmaking, emphasizing the need for collaboration over subjects, the use of natural light in visual storytelling, and the three stages of creation in filmmaking.', 'duration': 526.248, 'highlights': ['The importance of building relationships and trust in nonfiction filmmaking is highlighted, focusing on the concept of collaboration over subjects, active consent, and transparency, with an example of maintaining an active relationship with a doctor in Yemen who provides photos of the children she treats. (Relevance Score: 9)', 'The use of natural light in visual storytelling is emphasized, with a preference for shaping natural light and using small, compact instruments when needed, and the belief that the best lighting instrument is the sun at the right moment of the day. (Relevance Score: 8)', 'The concept of the three stages of creation in filmmaking is introduced, including the preconception or visualization of the film before shooting, the reality of filming, and the need to adapt the original vision during the editing process. (Relevance Score: 7)']}, {'end': 5124.006, 'start': 4784.673, 'title': 'Filmmaking: evolving vision and creative process', 'summary': "Highlights a filmmaker's evolving approach during the filming process, emphasizing the importance of re-envisioning, reviewing every frame, and creating an outline based on collected data, showcasing the iterative and scientific nature of the creative process.", 'duration': 339.333, 'highlights': ['During the filming process, the filmmaker embraces re-envisioning, reviewing every frame, and creating an outline based on collected data, emphasizing the iterative and scientific nature of the creative process.', 'The filmmaker actively engages in rethinking and revisualizing based on the actual filming experience, leading to a transformation of the initial vision for the film.', 'Upon finishing filming, the filmmaker reviews every single frame of the footage, creating a detailed log of notes and an outline for the film, showcasing a meticulous and thorough approach to post-production.', 'The creative process is likened to a scientific process, where the filmmaker collects data through filming and then analyzes and constructs the final product based on the collected data, emphasizing the importance of staying true to what the data tells during the creative process.']}, {'end': 5803.626, 'start': 5124.546, 'title': 'Crafting nonfiction stories', 'summary': 'Delves into the journey of a self-taught nonfiction storyteller, discussing the transition from theater to directing, the challenges of self-teaching technical skills, the impact of professional projects on learning, the importance of teamwork in filming, and the ethical considerations in documentary storytelling.', 'duration': 679.08, 'highlights': ['The impact of professional projects on learning The speaker learned the craft of storytelling through professional projects such as shooting local commercials and voyages around the world, which accelerated the learning process.', 'Transition from theater to directing The speaker transitioned from theater to directing by taking an extra class in television directing during grad school, which sparked a passion for storytelling through a camera.', 'Challenges of self-teaching technical skills The speaker faced challenges in self-teaching technical skills such as camera operation and lens usage, highlighting the struggle in acquiring technical expertise independently.', 'Importance of teamwork in filming The speaker emphasizes the value of working in a team of two for filming nonfiction stories, citing the benefits of doubling footage and the freedom it provides to focus on directing rather than solely filming.', 'Ethical considerations in documentary storytelling The speaker discusses the importance of fairness and consent in documentary storytelling, emphasizing the ethical responsibility of accurately capturing reality and obtaining active consent from subjects.']}], 'duration': 1841.414, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo3962212.jpg', 'highlights': ["The storyteller's proactive approach in seeking access to different stories involved concerted effort and perseverance.", 'The importance of being open to experiences and embracing curiosity to discover fascinating people and connections.', "The filmmaker's career is characterized by persistence and incremental evolution, emphasizing continuous learning and improvement.", 'The importance of building relationships and trust in nonfiction filmmaking, focusing on collaboration over subjects, active consent, and transparency.', 'The use of natural light in visual storytelling is emphasized, with a preference for shaping natural light and using small, compact instruments when needed.', 'The concept of the three stages of creation in filmmaking is introduced, including preconception, reality of filming, and the need to adapt the original vision during the editing process.', 'The filmmaker actively engages in rethinking and revisualizing based on the actual filming experience, leading to a transformation of the initial vision for the film.', 'The impact of professional projects on learning, accelerating the craft of storytelling through practical experiences.', 'The speaker transitioned from theater to directing by taking an extra class in television directing during grad school, sparking a passion for storytelling through a camera.', 'The speaker emphasizes the value of working in a team of two for filming nonfiction stories, citing the benefits of doubling footage and the freedom it provides to focus on directing.']}, {'end': 6494.005, 'segs': [{'end': 6256.697, 'src': 'embed', 'start': 6227.882, 'weight': 0, 'content': [{'end': 6232.565, 'text': 'and people would be pushed off and people would jump off and people would fall into the water.', 'start': 6227.882, 'duration': 4.683}, {'end': 6237.329, 'text': "And some of them couldn't swim.", 'start': 6233.566, 'duration': 3.763}, {'end': 6242.996, 'text': 'And so we found ourselves in this moment where we had a choice.', 'start': 6238.931, 'duration': 4.065}, {'end': 6249.143, 'text': 'We could film someone drown in front of us, or we could put our cameras down and pull them out of the water.', 'start': 6243.196, 'duration': 5.947}, {'end': 6250.893, 'text': "And so that's what we did.", 'start': 6249.952, 'duration': 0.941}, {'end': 6256.697, 'text': 'We put our cameras in the bottom of the Zodiac and just started pulling people out of the water.', 'start': 6251.613, 'duration': 5.084}], 'summary': 'Faced with a choice, they put down their cameras and rescued people from the water.', 'duration': 28.815, 'max_score': 6227.882, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo6227882.jpg'}, {'end': 6420.872, 'src': 'embed', 'start': 6369.172, 'weight': 1, 'content': [{'end': 6371.594, 'text': "And there's small ways to show yourself in that way.", 'start': 6369.172, 'duration': 2.422}, {'end': 6383.2, 'text': "As you know, I don't do that in a big way, but you know, I actually, there are subtle moments where I allow that presence to live just for a second.", 'start': 6372.797, 'duration': 10.403}, {'end': 6385.56, 'text': 'Like, I hate belly button docs.', 'start': 6383.44, 'duration': 2.12}, {'end': 6386.601, 'text': "That's what I call them.", 'start': 6385.801, 'duration': 0.8}, {'end': 6386.901, 'text': "I don't know.", 'start': 6386.621, 'duration': 0.28}, {'end': 6387.641, 'text': "What's a belly button doc?", 'start': 6386.941, 'duration': 0.7}, {'end': 6390.382, 'text': 'A belly button, doc is navel gazing, right?', 'start': 6387.661, 'duration': 2.721}, {'end': 6398.764, 'text': 'Where sort of a narcissistic filmmaking where someone just studies their own place in the world, right?', 'start': 6390.502, 'duration': 8.262}, {'end': 6400.284, 'text': 'I see, yeah.', 'start': 6399.024, 'duration': 1.26}, {'end': 6412.206, 'text': "I think my, you know, I'm more concerned with how I can intervene, right? Yeah, well, you're trying to really deeply empathize.", 'start': 6400.364, 'duration': 11.842}, {'end': 6417.97, 'text': "So if you deeply empathize, who am I? I don't want to center myself in these stories.", 'start': 6412.986, 'duration': 4.984}, {'end': 6420.872, 'text': "It's not about me, right? I am so unimportant.", 'start': 6418.05, 'duration': 2.822}], 'summary': 'Filmmaker avoids self-centered storytelling, focuses on empathy and intervention.', 'duration': 51.7, 'max_score': 6369.172, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo6369172.jpg'}], 'start': 5804.327, 'title': 'Filmmaking ethics', 'summary': "Delves into the significance of human connection and consent in filmmaking, focusing on impactful documentaries and the ethical dilemma of a filmmaker's involvement in a rescue operation, emphasizing the need for understanding and direct communication.", 'chapters': [{'end': 6055.4, 'start': 5804.327, 'title': 'Consent and connection in filmmaking', 'summary': 'Discusses the importance of building a human connection and obtaining consent in filmmaking, emphasizing the need for understanding and direct communication, with a focus on impactful documentaries and the role of the filmmaker in the story.', 'duration': 251.073, 'highlights': ['Obtaining consent and building a human connection is emphasized in filmmaking, highlighting the need for understanding and direct communication. The chapter stresses the importance of having a conversation, asking questions, and ensuring complete understanding before obtaining consent, focusing on the human connection that leads to trust and real consent.', "Discussion on impactful documentaries and the role of the filmmaker in the story. The chapter explores impactful documentaries, including 'A Woman Captured,' which showcases the filmmaker's role in enabling a woman to escape modern-day slavery, emphasizing the filmmaker's direct involvement in the story.", "Exploring the top documentaries and the impact they have on the audience. The conversation delves into impactful documentaries, including 'Aquarella' and 'A Woman Captured,' both feature-length films that highlight the filmmaker's presence in the story and the profound impact on the audience."]}, {'end': 6494.005, 'start': 6057.122, 'title': 'The dilemma of a documentarian', 'summary': "Discusses the evolution of a filmmaker's approach from being a passive observer to actively intervening in a rescue operation, ultimately prioritizing being a human being first and a filmmaker second, while also acknowledging the subtle presence of the filmmaker in documentaries.", 'duration': 436.883, 'highlights': ['The filmmaker recounts a pivotal moment during a rescue mission where they had to choose between filming someone drown or putting the camera down to save them, ultimately prioritizing the ethical obligation to intervene as a human being over the role of a documentarian. Filming Lifeboat covered rescue operations in the Mediterranean, encountering over 3,000 asylum seekers in dire conditions. The filmmaker faced a moral dilemma when they had to decide whether to film or intervene during a rescue operation.', 'The filmmaker reflects on their evolution from strictly adhering to observational filmmaking principles to acknowledging the importance of actively intervening and prioritizing human decency over the role of a filmmaker. The filmmaker initially believed in the observational nature of documentary filmmaking but evolved to prioritize being a human being first and a filmmaker second. They emphasize the importance of making the right ethical choices as a human being.', "The filmmaker discusses the subtle ways of integrating the presence of the filmmaker into documentaries while emphasizing the importance of not centering the stories around the filmmaker unnecessarily. The filmmaker acknowledges the value of subtly integrating the presence of the filmmaker into documentaries without overshadowing the main stories. They emphasize the importance of not making the stories about the filmmaker but subtly reminding viewers of the filmmaker's existence."]}], 'duration': 689.678, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo5804327.jpg', 'highlights': ['Obtaining consent and building a human connection is emphasized in filmmaking, focusing on understanding and direct communication.', "The chapter explores impactful documentaries, including 'A Woman Captured,' showcasing the filmmaker's direct involvement in enabling a woman to escape modern-day slavery.", "The conversation delves into impactful documentaries, such as 'Aquarella' and 'A Woman Captured,' highlighting the profound impact on the audience.", 'The filmmaker faced a moral dilemma during a rescue operation, prioritizing the ethical obligation to intervene as a human being over the role of a documentarian.', 'The filmmaker evolved to prioritize being a human being first and a filmmaker second, emphasizing the importance of making the right ethical choices.', 'The filmmaker acknowledges the value of subtly integrating their presence into documentaries without overshadowing the main stories.']}, {'end': 7804.479, 'segs': [{'end': 6669.586, 'src': 'embed', 'start': 6630.562, 'weight': 0, 'content': [{'end': 6642.371, 'text': 'that the flow of Syrian asylum seekers that was initially going across from Turkey to Greece was going to shift westward across the Mediterranean.', 'start': 6630.562, 'duration': 11.809}, {'end': 6645.954, 'text': 'So I started to research that and discovered that was exactly the case.', 'start': 6642.631, 'duration': 3.323}, {'end': 6661.261, 'text': "and then further stumbled upon the fact that nation states hadn't really stepped up to address it and that there were hundreds of asylum seekers often drowning in these flimsy crafts that were pushed off from the shores of Libya.", 'start': 6646.794, 'duration': 14.467}, {'end': 6669.586, 'text': "because the EU wasn't doing its duty to patrol those waters from a humanitarian standpoint.", 'start': 6661.921, 'duration': 7.665}], 'summary': 'Syrian asylum seekers shifted westward to mediterranean due to lack of patrolling by eu, leading to hundreds drowning.', 'duration': 39.024, 'max_score': 6630.562, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo6630562.jpg'}, {'end': 6813.033, 'src': 'embed', 'start': 6785.663, 'weight': 2, 'content': [{'end': 6792.466, 'text': 'We were bound by the strictures of the rescue operation on this sea watch vessel, which was 30 meters long.', 'start': 6785.663, 'duration': 6.803}, {'end': 6796.687, 'text': 'And we were two of a crew of 15, right?', 'start': 6793.066, 'duration': 3.621}, {'end': 6807.011, 'text': 'So we had to multitask all the time, because the only reason we were on that boat was by agreeing that, if needed, we would do whatever necessary.', 'start': 6796.788, 'duration': 10.223}, {'end': 6810.472, 'text': 'right?. To help, right?', 'start': 6807.011, 'duration': 3.461}, {'end': 6813.033, 'text': "And so it's very active on multiple levels.", 'start': 6810.893, 'duration': 2.14}], 'summary': '15-member crew on 30-meter sea watch vessel had to multitask during rescue operation, staying prepared for any necessary action.', 'duration': 27.37, 'max_score': 6785.663, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo6785663.jpg'}, {'end': 6921.662, 'src': 'embed', 'start': 6899.812, 'weight': 1, 'content': [{'end': 6908.363, 'text': "And so I walked over to him and I just grabbed him by the shoulders and said, Kenny, where's your camera? And he didn't know.", 'start': 6899.812, 'duration': 8.551}, {'end': 6910.827, 'text': 'He had no idea where his camera was.', 'start': 6908.844, 'duration': 1.983}, {'end': 6917.235, 'text': "And so I just said, Kenny, we're here to do what you're doing.", 'start': 6911.167, 'duration': 6.068}, {'end': 6921.662, 'text': "But we're also here to film it right?", 'start': 6919.4, 'duration': 2.262}], 'summary': "Kenny couldn't find his camera, causing delay in filming.", 'duration': 21.85, 'max_score': 6899.812, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo6899812.jpg'}, {'end': 7096.068, 'src': 'embed', 'start': 7063.089, 'weight': 4, 'content': [{'end': 7065.43, 'text': "And you can't actually live life unless you break the rules.", 'start': 7063.089, 'duration': 2.341}, {'end': 7073.196, 'text': 'Anyway, laying that all out on the table, do you ever contend with that?', 'start': 7066.011, 'duration': 7.185}, {'end': 7078.1, 'text': 'on what are the rules I can break or should break?', 'start': 7073.196, 'duration': 4.904}, {'end': 7079.962, 'text': 'to keep to the spirit of the story?', 'start': 7078.1, 'duration': 1.862}, {'end': 7085.124, 'text': 'you have to ask yourself are the rules just and why are they in place right?', 'start': 7080.922, 'duration': 4.202}, {'end': 7089.665, 'text': 'so, for example, coming into the airport in southern yemen, right?', 'start': 7085.124, 'duration': 4.541}, {'end': 7096.068, 'text': 'um, if i just tried to walk through the airport with all my equipment, even with all the permissions beforehand, like we had,', 'start': 7089.665, 'duration': 6.403}], 'summary': 'Challenging rules can lead to living a fuller life, evaluating fairness and necessity.', 'duration': 32.979, 'max_score': 7063.089, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo7063089.jpg'}], 'start': 6495.346, 'title': 'Ethical challenges in documentary filmmaking', 'summary': "Delves into the ethical challenges faced in documentary filmmaking, citing examples like 'the toxic pigs of fukushima' and 'lifeboat', and addressing the asylum seeker crisis in the mediterranean in 2016, highlighting the dual role of being a humanitarian and filmmaker during rescue operations, and discussing the risks and heroism in conflict zones and authoritarian regimes.", 'chapters': [{'end': 6595.233, 'start': 6495.346, 'title': 'Documentary insights and capturing reality', 'summary': "Discusses the importance of capturing the perturbations of life in documentary filmmaking, citing examples like 'the toxic pigs of fukushima' and 'lifeboat', highlighting the emotional and human spirit elements in the latter.", 'duration': 99.887, 'highlights': ["The chapter emphasizes capturing the perturbations of life in documentary filmmaking, citing examples like 'The Toxic Pigs of Fukushima' and 'Lifeboat', which showcase the dark yet brilliantly executed aspects of reality (e.g., 'The Toxic Pigs of Fukushima').", "The discussion delves into the emotional and human spirit elements portrayed in the documentary 'Lifeboat', highlighting the desperation, uncertainty, and willingness to survive in the face of mystery and doubt, reflecting the human spirit (e.g., 'Lifeboat')."]}, {'end': 6982.849, 'start': 6596.55, 'title': 'Lifeboat: asylum seeker crisis', 'summary': 'Highlights the efforts of civil society-based ngos, particularly sea watch, in addressing the asylum seeker crisis in the mediterranean in 2016, where hundreds of asylum seekers were drowning in flimsy crafts due to the lack of patrolling by nation states and the eu, and showcases the challenging dual role of being a humanitarian and a filmmaker simultaneously during rescue operations.', 'duration': 386.299, 'highlights': ['The challenges of the asylum seeker crisis in the Mediterranean in 2016 are showcased, particularly the lack of patrolling by nation states and the EU, leading to hundreds of asylum seekers drowning in flimsy crafts. The chapter emphasizes the dire situation of the asylum seeker crisis in the Mediterranean in 2016, highlighting the lack of patrolling by nation states and the EU, which resulted in hundreds of asylum seekers drowning in flimsy crafts pushed off from the shores of Libya.', 'The efforts of civil society-based NGOs, particularly Sea Watch, in addressing the asylum seeker crisis are highlighted, showcasing the inspiring story of volunteers taking proactive measures when leaders failed to act. The chapter emphasizes the inspiring efforts of civil society-based NGOs, particularly Sea Watch, in addressing the asylum seeker crisis by taking proactive measures to rescue asylum seekers, showcasing the contrast between the actions of volunteers and the inaction of leaders.', 'The challenging dual role of being a humanitarian and a filmmaker simultaneously during rescue operations is portrayed, exemplified by the struggle to balance active participation in rescue efforts and the need to document the unfolding events. The chapter highlights the challenging dual role of being a humanitarian and a filmmaker simultaneously during rescue operations, exemplifying the struggle to balance active participation in rescue efforts with the need to document the unfolding events for a larger audience.']}, {'end': 7804.479, 'start': 6983.489, 'title': 'Filmmaking: rules, risks, and heroism', 'summary': 'Discusses the ethical dilemmas faced by filmmakers, including bending rules in authoritarian regimes, mitigating risks in conflict zones, and showcasing heroism in the syrian war, while also addressing the challenges of accessing documentaries online.', 'duration': 820.99, 'highlights': ['Filmmaking ethics in authoritarian regimes In places like Yemen, navigating through bureaucratic rules and bribery is necessary, as seen when hiring a fixer to avoid delays and bribes at the airport, highlighting the ethical complexities of working in such environments.', 'Risk management in conflict zones The decision not to have armed security in conflict zones like Yemen, due to the increased risk it poses, underscores the ethical and practical considerations in mitigating risks while operating under international humanitarian law.', 'Showcasing heroism in war-torn areas The story of the Turkish man acting as a humanitarian bridge between Syrian refugees and medical care, akin to a modern-day Schindler, illustrates the selfless heroism found in the midst of conflict and human suffering.', 'Challenges of accessing documentaries online The discussion about the difficulty of accessing documentaries online, despite some being available for free on platforms like the New Yorker and Paramount+, raises the issue of accessibility and distribution of important films.']}], 'duration': 1309.133, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo6495346.jpg', 'highlights': ['The chapter emphasizes the dire situation of the asylum seeker crisis in the Mediterranean in 2016, highlighting the lack of patrolling by nation states and the EU, which resulted in hundreds of asylum seekers drowning in flimsy crafts pushed off from the shores of Libya.', 'The challenging dual role of being a humanitarian and a filmmaker simultaneously during rescue operations is portrayed, exemplified by the struggle to balance active participation in rescue efforts and the need to document the unfolding events for a larger audience.', "The discussion delves into the emotional and human spirit elements portrayed in the documentary 'Lifeboat', highlighting the desperation, uncertainty, and willingness to survive in the face of mystery and doubt, reflecting the human spirit (e.g., 'Lifeboat').", 'Filmmaking ethics in authoritarian regimes In places like Yemen, navigating through bureaucratic rules and bribery is necessary, as seen when hiring a fixer to avoid delays and bribes at the airport, highlighting the ethical complexities of working in such environments.', 'Showcasing heroism in war-torn areas The story of the Turkish man acting as a humanitarian bridge between Syrian refugees and medical care, akin to a modern-day Schindler, illustrates the selfless heroism found in the midst of conflict and human suffering.']}, {'end': 8939.071, 'segs': [{'end': 7857.879, 'src': 'embed', 'start': 7825.605, 'weight': 1, 'content': [{'end': 7836.271, 'text': 'Maybe people wanna watch animal rescue shows right here in the US, which is exactly why, in part,', 'start': 7825.605, 'duration': 10.666}, {'end': 7843.655, 'text': "I think it's so vital that we continue to do stories on things that aren't about flowers and puppy dogs, right?", 'start': 7836.271, 'duration': 7.384}, {'end': 7845.256, 'text': 'I would push back on that.', 'start': 7843.675, 'duration': 1.581}, {'end': 7848.898, 'text': "So there's TikTok.", 'start': 7845.276, 'duration': 3.622}, {'end': 7857.879, 'text': 'And you could say, well, look, humans just wanna watch really short content because they seem to be addicted to that kind of thing.', 'start': 7850.23, 'duration': 7.649}], 'summary': 'Highlighting the importance of covering animal rescue stories, despite the preference for short content like tiktok.', 'duration': 32.274, 'max_score': 7825.605, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo7825605.jpg'}, {'end': 8062.884, 'src': 'embed', 'start': 8036.606, 'weight': 0, 'content': [{'end': 8042.451, 'text': "or is it the PR, the funding from previous stuff that you're trying to use before hunger ward??", 'start': 8036.606, 'duration': 5.845}, {'end': 8052.937, 'text': 'um, i would just take a flyer on my films, right where i would just say this this meets the so wet threshold.', 'start': 8044.251, 'duration': 8.686}, {'end': 8060.823, 'text': 'this is a story that has to be told, and and i want, i want to tell it, um, and then i could just go shoot it, and usually on credit,', 'start': 8052.937, 'duration': 7.886}, {'end': 8062.884, 'text': 'usually on a credit card, right.', 'start': 8060.823, 'duration': 2.061}], 'summary': 'Filmmaker is willing to take financial risks to tell important stories, often using personal funds.', 'duration': 26.278, 'max_score': 8036.606, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo8036606.jpg'}, {'end': 8689.238, 'src': 'embed', 'start': 8656.159, 'weight': 2, 'content': [{'end': 8665.422, 'text': 'Instead, I would allow that fear to catalyze me into action and do something and intervene in whatever way I could,', 'start': 8656.159, 'duration': 9.263}, {'end': 8666.803, 'text': "even if I didn't have the skill set.", 'start': 8665.422, 'duration': 1.381}, {'end': 8672.57, 'text': 'And in some ways, all of that echoes in your documentaries.', 'start': 8668.348, 'duration': 4.222}, {'end': 8676.832, 'text': "You're not gonna let fear stop you from trying to help.", 'start': 8673.471, 'duration': 3.361}, {'end': 8689.238, 'text': 'I think that experience, that experience of failure, what I framed as just human failure on my part is foundational probably to my work.', 'start': 8677.132, 'duration': 12.106}], 'summary': 'Overcoming fear and failure to take action and help others, reflected in documentaries.', 'duration': 33.079, 'max_score': 8656.159, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo8656159.jpg'}, {'end': 8775.267, 'src': 'embed', 'start': 8742.689, 'weight': 3, 'content': [{'end': 8746.15, 'text': "I can speak personally on that only, and that's that.", 'start': 8742.689, 'duration': 3.461}, {'end': 8752.432, 'text': 'I believe that the meaning of my life is to try to make the world a little bit better before I go.', 'start': 8746.15, 'duration': 6.282}, {'end': 8765.817, 'text': 'When I was in theater in grad school, I directed a play called Shadowlands by C.S.', 'start': 8754.533, 'duration': 11.284}, {'end': 8768.6, 'text': "Lewis And there's a quote from that.", 'start': 8765.877, 'duration': 2.723}, {'end': 8769.38, 'text': 'It goes like this.', 'start': 8768.62, 'duration': 0.76}, {'end': 8775.267, 'text': 'We are like blocks of stone out of which the sculptor carves the forms of men.', 'start': 8770.181, 'duration': 5.086}], 'summary': "The meaning of life is to make the world better, as stated in c.s. lewis's play shadowlands.", 'duration': 32.578, 'max_score': 8742.689, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo8742689.jpg'}], 'start': 7804.479, 'title': 'Filmmaking, skills, and life experiences', 'summary': "Delves into film accessibility and impact, financial constraints, foundational skills, life advice, and the impact of witnessing a tragic accident, offering insights into the filmmaker's challenges and personal growth.", 'chapters': [{'end': 8125.427, 'start': 7804.479, 'title': 'Accessibility and impact of films', 'summary': 'Discusses the accessibility of films to a mainstream audience, the impact of platforms on film distribution, and the financial constraints faced by the filmmaker, including the use of personal funding for film production.', 'duration': 320.948, 'highlights': ['The importance of frictionless access to content is emphasized, with the mention of paywalls creating barriers to enjoyment. Frictionless access to content is crucial, as paywalls and other barriers prevent individuals from enjoying content, impacting their engagement and viewership.', 'The filmmaker expresses the tension between creating art and sustaining a film industry, citing financial constraints as a limiting factor. The filmmaker grapples with the balance between creating art and sustaining the film industry, highlighting financial constraints as a significant limiting factor in film production.', "The willingness to take financial risks for the sake of telling important stories is mentioned, along with the success of previous risk-taking endeavors. The filmmaker's willingness to take financial risks to tell important stories is highlighted, along with the successful outcomes of previous risk-taking endeavors in film production."]}, {'end': 8466.819, 'start': 8126.688, 'title': 'Life advice and foundational skills', 'summary': "Discusses the importance of foundational skills, such as interacting and observing, over technical skills, and emphasizes the value of reading and writing. it also highlights the impact of personal experiences and books on the individual's life.", 'duration': 340.131, 'highlights': ['The foundational skills of interacting, listening, observing, and learning to write well are deemed crucial for success, surpassing the importance of technical skills acquired in trade schools or universities.', 'The emphasis on reading for knowledge and wisdom is compared to the act of listening and observing, while writing is seen as the integration of observed experiences and expressions.', "The individual's training in theater is highlighted as beneficial for the documentary world, emphasizing the significance of interaction, listening, and dialogue.", "The impact of books, particularly 'The Prophet' by Kahlil Gibran and '10 Points' by Bill Strickland, as catalysts for inspiration and wisdom, is discussed, with 'The Seven Habits of Highly Effective People' also being mentioned as influential.", 'The individual shares a personal experience from their early 20s in Southern California, highlighting a dark moment that had a significant impact on their life and work.']}, {'end': 8939.071, 'start': 8466.839, 'title': 'Witnessing a tragic accident', 'summary': 'Recounts a harrowing experience of witnessing a fatal car crash on the pacific coast highway, expressing the regret of not intervening and how it influenced the decision to act in moments of need, ultimately reflecting on the meaning of life and mortality.', 'duration': 472.232, 'highlights': ['The chapter recounts a harrowing experience of witnessing a fatal car crash on the Pacific Coast Highway, expressing the regret of not intervening.', 'The decision to act in moments of need was influenced by the experience of failure, shaping the commitment to not let fear freeze actions in situations requiring help.', "Reflecting on the meaning of life, it's expressed that the purpose is to make the world better before one's passing and to embrace the experiences that shape us into better human beings.", 'The knowledge of mortality serves as a driving force to accomplish as much as possible before the inevitable end.']}], 'duration': 1134.592, 'thumbnail': 'https://coursnap.oss-ap-southeast-1.aliyuncs.com/video-capture/dHTgffkpeYo/pics/dHTgffkpeYo7804479.jpg', 'highlights': ["The filmmaker's willingness to take financial risks to tell important stories is highlighted, along with the successful outcomes of previous risk-taking endeavors in film production.", 'The foundational skills of interacting, listening, observing, and learning to write well are deemed crucial for success, surpassing the importance of technical skills acquired in trade schools or universities.', 'The individual shares a personal experience from their early 20s in Southern California, highlighting a dark moment that had a significant impact on their life and work.', "Reflecting on the meaning of life, it's expressed that the purpose is to make the world better before one's passing and to embrace the experiences that shape us into better human beings."]}], 'highlights': ['811 million people worldwide are hungry today, and 45 million people are on the edge of famine across 43 countries, with war being a major cause of starvation.', 'The continued use of starvation as a weapon of war in Ethiopia, Ukraine, and Yemen despite international laws banning it.', 'The impact of war on hunger is deeply disturbing as leaders intentionally starve entire populations.', 'The staggering statistic that a child dies every 75 seconds in Yemen from hunger is mentioned, highlighting the overwhelming scale of suffering.', "The documentary 'Hunger Ward' focuses on the suffering in Yemen due to war, emphasizing the search for hope and inspiration amidst the overwhelming scale of suffering.", "The filmmaker believes the camera is a powerful tool for raising awareness and understanding the impact of geopolitical decisions on real people's lives, emphasizing the intent behind each film.", 'The importance of being open to experiences and embracing curiosity to discover fascinating people and connections.', "The filmmaker's career is characterized by persistence and incremental evolution, emphasizing continuous learning and improvement.", 'The chapter emphasizes the dire situation of the asylum seeker crisis in the Mediterranean in 2016, highlighting the lack of patrolling by nation states and the EU, which resulted in hundreds of asylum seekers drowning in flimsy crafts pushed off from the shores of Libya.', "The filmmaker's willingness to take financial risks to tell important stories is highlighted, along with the successful outcomes of previous risk-taking endeavors in film production."]}